Hinton, S.E. The Outsiders. Viking Press. 1967. Print.
The Outsiders is a novel about two different groups of young males, the Greasers and the Soc's. The Greasers come from a lower socio-economic status than the Soc's. The Soc's represent the image privileged American youth, whereas the Greasers represent the "outcast" image of the American teenager. The two groups often engage in physical altercations called "rumbles". During one of these fights, Johnny, a greaser, stabs a rival to death. Ponyboy also becomes romantically involved with Cherry, a girl who associates with the Soc's. Before Johhny turns himself in for the murder, he and Ponyboy rescue a group of children from a burning church. Johnny is injured in the fire and later dies. In the aftermath of the tragedies that struck both groups, Ponyboy writes an english paper about the events in his life.
In young adult literature, The Outsiders is usually the first view into the lives of alienated youth that students are exposed to. The entire story centers against a background of social alienation. We read the story from the viewpoint of the alienated and are exposed to the harsh realities that make up their lives. Although alienated, we learn that our protagonists are good, decent people. This is clear when Johnny and Ponyboy rescue the children from the burning church. The theme of alienation in Hinton's story extremely important, as the Outsiders is a tale of the tragedies that can occur when social alienation is allowed to create hatred in American youth.
Alienation
The Metamorphosis
Kafka, Franz. "The Metamorphosis." Norton Anthology of World Masterpieces. Ed. Maynard Mack et al. 2 vols. Exp. ed. New York: Norton, 1995. Vol. 2. 1757-1791.
In Franz Kafka's "Metamorphosis" Gregor Samsa lives a bug like existence before he morphs into one. Gregor is overworked, and drained physically and mentally from his high stress, demanding job. To make Gregor's work life even more difficult, his boss is a very demanding man, and Gregor's parents owe him money, which is specifically why he works for him. The morning Gregor awakens and finds he has morphed into a bug, begins to put his life into a new perspective. He becomes aware of how under-appreciated he is by his parents and his sister. His family tries to accept this new form of Gregor but eventually treat him as a nuisance, causing him to isolate himself from the family. Kafka illustrates how before Gregor's transformation, he was already living like a bug. Gregor begins to feel alienated from his family since he hardly spends anytime with them due to his strenuous work weeks. Gregor was the primary source of income, something his family was used to, when the metamorphosis occurred, he was unable to work. Gregor's inability to work caused his family to on him, leaving Gregor feeling hopeless and depressed. The Samsa's allow boarders into their home. The family is diligent in keeping the boarders from seeing Gregor. Eventually Gregor is seen by the boarders, this causes a rift in the situation, and the Samsas are left examining Gregor's existence. Gregor hears his family describing the difficulties in living he has caused them. The next morning Gregor dies.
Gregor's transformation causes him to alienate himself from his family. Not only is he unable to communicate with his family, but he is no longer human. Gregor keeps himself isolated form humanity, and he begins to examine his life, and how the constant traveling for work kept him from forming and strengthening relationships. As Gregor continues to look back on his life, he recalls the feelings of pride he once felt by supporting his family, and remembers those feelings fading once his family expected him to provide for them. Gregor, was in a sense, alienated all along, work kept him physically away from family, and once the transformation occurred he was both physically and psychologically alienated.
In Franz Kafka's "Metamorphosis" Gregor Samsa lives a bug like existence before he morphs into one. Gregor is overworked, and drained physically and mentally from his high stress, demanding job. To make Gregor's work life even more difficult, his boss is a very demanding man, and Gregor's parents owe him money, which is specifically why he works for him. The morning Gregor awakens and finds he has morphed into a bug, begins to put his life into a new perspective. He becomes aware of how under-appreciated he is by his parents and his sister. His family tries to accept this new form of Gregor but eventually treat him as a nuisance, causing him to isolate himself from the family. Kafka illustrates how before Gregor's transformation, he was already living like a bug. Gregor begins to feel alienated from his family since he hardly spends anytime with them due to his strenuous work weeks. Gregor was the primary source of income, something his family was used to, when the metamorphosis occurred, he was unable to work. Gregor's inability to work caused his family to on him, leaving Gregor feeling hopeless and depressed. The Samsa's allow boarders into their home. The family is diligent in keeping the boarders from seeing Gregor. Eventually Gregor is seen by the boarders, this causes a rift in the situation, and the Samsas are left examining Gregor's existence. Gregor hears his family describing the difficulties in living he has caused them. The next morning Gregor dies.
Gregor's transformation causes him to alienate himself from his family. Not only is he unable to communicate with his family, but he is no longer human. Gregor keeps himself isolated form humanity, and he begins to examine his life, and how the constant traveling for work kept him from forming and strengthening relationships. As Gregor continues to look back on his life, he recalls the feelings of pride he once felt by supporting his family, and remembers those feelings fading once his family expected him to provide for them. Gregor, was in a sense, alienated all along, work kept him physically away from family, and once the transformation occurred he was both physically and psychologically alienated.
The Machinist
The Machinist. Dir. Brad Anderson. Perf. Christian Bale. Paramount, 2004. Film
Brad Anderson's The Machinist is the story of Trevor Reznik, a machinist whose life begins to spiral out of control. We learn in beginning of the film that Reznik is an insomniac and is losing a great deal of weight. He begins to have visions that he suspects are caused by someone or something that is trying to drive him insane. A mysterious man appears and begins to haunt Reznik. Suspecting that this man is responsible for the unexplainable events in his life, Reznik follows the man in an attempt to find out who he is and what he wants. Eventually, Reznik learns the strange events that have been haunting him are pieces of his imagination. These events turn out to be the result Reznik's own conscious, as he killed a young boy in an auto accident a year earlier and tried to forget about it.
The Machinist, like The Metamophosis, is a story of self alienation. In this case, Reznik's grief after the accident caused him to spiral into a state of alienated delusion. The film does not show us the events that caused Reznik to hide these memories inside his mind, but we do see the consequences of his attempt to hide this from himself. The film creates a vivid example of alienation. Reznik exists in his own world, unaffected by the daily events and struggles that affect the rest of the population.
Brad Anderson's The Machinist is the story of Trevor Reznik, a machinist whose life begins to spiral out of control. We learn in beginning of the film that Reznik is an insomniac and is losing a great deal of weight. He begins to have visions that he suspects are caused by someone or something that is trying to drive him insane. A mysterious man appears and begins to haunt Reznik. Suspecting that this man is responsible for the unexplainable events in his life, Reznik follows the man in an attempt to find out who he is and what he wants. Eventually, Reznik learns the strange events that have been haunting him are pieces of his imagination. These events turn out to be the result Reznik's own conscious, as he killed a young boy in an auto accident a year earlier and tried to forget about it.
The Machinist, like The Metamophosis, is a story of self alienation. In this case, Reznik's grief after the accident caused him to spiral into a state of alienated delusion. The film does not show us the events that caused Reznik to hide these memories inside his mind, but we do see the consequences of his attempt to hide this from himself. The film creates a vivid example of alienation. Reznik exists in his own world, unaffected by the daily events and struggles that affect the rest of the population.
The Scream
Munch, Edvard. The Scream. 1893. National Gallery, Oslo, Norway.
Edvard Munch's The Scream depicts a ghoulish creature in mid-gasp, contrasted against a vivid pastoral background. The red, menacing sky and strange landscape appear quite unnatural and anxiety inducing. The main figure in the front is obviously disturbed and is shown to be in great agony. The onlookers in the background appear to be watching, perhaps judging, the figure in the front.
Munch's The Scream has long been considered to be one of the most popular images of alienation and despair. One only needs to see the image to realize that the ghoulish figure is a strong representation of loneliness and alienation. Interestingly, The Scream has often been used as a comparison to individuals experiencing Depersonalization Disorder, a disorder which causes a person to feel as though they have lost touch with reality and that what they are experiencing is not actually real life. Some think that Munch himself may have possibly suffered from this disorder. In any case, The Scream is an undoubtedly perfect representation of the feeling of alienation.
Creep
Radiohead. "Creep." Pablo Honey. Parlophone, EMI. 1992. CD
Radiohead's Creep tells the story of a man who is obviously infatuated with a woman. However, any interaction with this woman is impossible as the man feels that he is is in no way acceptable enough to be considered by this woman.
When you were here before
Couldn't look you in the eye
You're just like an angel
Your skin makes me cry
You float like a feather
In a beautiful world
I wish I was special
You're so fucking special
In the first verse the writer seems to be describing someone he has a deep infatuation for. They seem to be in a social setting where he is staring at this woman he has deep feelings for, staring at her from a distance, as if he is to scared to approach her. He puts this person up on a pedestal and expresses some anger at the same time. Maybe the anger is there because she doesn't notice him at all.
But I'm a creep
I'm a weirdo
What the hell am I doing here?
I don't belong here
The chorus of the verse shows the perfect example of alienation. He seems to be disconnected in the situation he finds himself in. Calling himself a "creep" seems to be his opinion of how others think of him, and the line "I don't belong here" displays his lack of acceptance to those around him.
I don't care if it hurts
I want to have control
I want a perfect body
I want a perfect soul
I want you to notice when I'm not around
You're so fucking special
I wish I was special
He has started to feel the desperation to fit it, and to be remembered by the woman even "if it hurts." The alienation he feels has caused these feelings .
But I'm a creep
I'm a weirdo
What the hell I'm doing here?
I don't belong here
She's running out the door
She's running out
She runs runs runs
He never could approach her like he desired. His feelings of alienation, desperation, and self depreciating thoughts caused him to watch from a distance, and now she has left.
Whatever makes you happy
Whatever you want
You're so fucking special
I wish I was special
He has come to accept he will most likely never be apart of her world, but ironically these particular words suggest he is at ease as long as she is "happy." Once again there is still some passive aggressive behavior because he wishes he was just as "special" as she was.
But I'm a creep
I'm a weirdo
What the hell am I doing here?
I don't belong here
I don't belong here
They lyrics to Creep show that the man is sensitive and self conscious. These qualities, in the eyes of the author, cause him to feel unwanted and, as the title suggests, creepy. The man's expectations of what the woman might think of him cause him to alienate himself. Alienation from the opposite sex is a popular theme in music, art and film. Creep seems to be a result of our fear of rejection, something that affects the lives of many and can be a cause of self-alienation.
Radiohead's Creep tells the story of a man who is obviously infatuated with a woman. However, any interaction with this woman is impossible as the man feels that he is is in no way acceptable enough to be considered by this woman.
When you were here before
Couldn't look you in the eye
You're just like an angel
Your skin makes me cry
You float like a feather
In a beautiful world
I wish I was special
You're so fucking special
In the first verse the writer seems to be describing someone he has a deep infatuation for. They seem to be in a social setting where he is staring at this woman he has deep feelings for, staring at her from a distance, as if he is to scared to approach her. He puts this person up on a pedestal and expresses some anger at the same time. Maybe the anger is there because she doesn't notice him at all.
But I'm a creep
I'm a weirdo
What the hell am I doing here?
I don't belong here
The chorus of the verse shows the perfect example of alienation. He seems to be disconnected in the situation he finds himself in. Calling himself a "creep" seems to be his opinion of how others think of him, and the line "I don't belong here" displays his lack of acceptance to those around him.
I don't care if it hurts
I want to have control
I want a perfect body
I want a perfect soul
I want you to notice when I'm not around
You're so fucking special
I wish I was special
He has started to feel the desperation to fit it, and to be remembered by the woman even "if it hurts." The alienation he feels has caused these feelings .
But I'm a creep
I'm a weirdo
What the hell I'm doing here?
I don't belong here
She's running out the door
She's running out
She runs runs runs
He never could approach her like he desired. His feelings of alienation, desperation, and self depreciating thoughts caused him to watch from a distance, and now she has left.
Whatever makes you happy
Whatever you want
You're so fucking special
I wish I was special
He has come to accept he will most likely never be apart of her world, but ironically these particular words suggest he is at ease as long as she is "happy." Once again there is still some passive aggressive behavior because he wishes he was just as "special" as she was.
But I'm a creep
I'm a weirdo
What the hell am I doing here?
I don't belong here
I don't belong here
They lyrics to Creep show that the man is sensitive and self conscious. These qualities, in the eyes of the author, cause him to feel unwanted and, as the title suggests, creepy. The man's expectations of what the woman might think of him cause him to alienate himself. Alienation from the opposite sex is a popular theme in music, art and film. Creep seems to be a result of our fear of rejection, something that affects the lives of many and can be a cause of self-alienation.
Subscribe to:
Posts (Atom)